Kelly Kristin Jones on her current series of “counter-memorials”:
I became really determined to find a way to make really beautiful, pastoral even, sorts of portraits—meditations of both persons and place, persons in place. . . . I think ultimately, it’s this interest in kind of flipping the script on urban landscape.
And this newer work takes into account a kind of cultural landscape, and memory and history. . . . For this show, all of the works—all of these “counter-memorials” is kind of what I call them—are at the site of Civil War historical markers that are all over the city. . . . The historical markers in Atlanta, in Georgia, absolutely talk about the Union soldiers, and there are some accountings of histories of federal troops, but Primarily it’s all from this Southern, Confederate perspective. And that’s what I find so interesting. Read More
Flora Rosefsky on teaching:
I think education is key. And I love teaching. It’s coming up with the right lesson. Once you come up with the right art lesson, the teacher should not be interfering with that student. In fact, I usually work on my own piece.
I don’t look at their work until the end. The worse thing a teacher can do is put their hand on that person’s hand and say "Oh no no no no, put it that way..." Hummm. And they’re all different... Or "Oh no, this is the way you have to draw the circle." Oh, really? Or "No, the face has to be a certain color." Really?
No. Read More
Chakura Kineard on her inspirations:
I remember I was in elementary, like in my little kindergarten class, maybe first grade—and we decided to have a carnival. Like ‘Okay, we’re going to have a special presentation! What is it? It’s a carnival!’ And then the kids got to take little cardboard boxes and decorate them with paint and glitter and did a little dance like they were in a parade. … I think those type of memories definitely fuel my art. Read More
Tatiana Veneruso on how she became a curator:
The end of 2011 was the Occupy movement. And at the time I was working for this like corporate advertising agency and hating it so much... so I was definitely feeling the sentiment of that movement, and I thought, well how can I help? ... And so I thought, oh, I'll do an art show...but I'd never curated a show before, so I didn't know really how to go about that. Read More