atlanta artist

17 - Shanequa Gay—Breaking through the American Façade by Vivian Liddell

Shanequa Gay on starting her new body of work:

There was something Dr. Napoleon Wells—he is a professor/psychologist over at Columbia College in South Carolina—there was something he said. He was like in charge of facilitating my artist talk when I was in South Carolina and he said, “African-American women, black women, are the best to tell the American story.” Why? Because we are the ones who are the furthest on these fringes, on these edges. And so, It made me begin to think about… his why. We’re observers, you know, the ones who are … kind of at the edges and including our children. Right? And so, you very rarely hear our stories. You very rarely hear our information. And yet we’re the ones in spaces of service. … His understanding or his sharing of that— I was like, I’m African-American. So why am I a best story teller and why am I a good story teller? And what makes my narrative important? And why is my narrative just as American as a white male?

Our society tells us that it’s not. I’m hyphenated. I’m hyphenated in how I move here, in my space. And so, if mine is just as American with or without the African-American— what does that look like and what does that mean? Which is why I’m seeking out spirituality, because I don’t always know where my work comes from. I don’t always know where these ideas are coming from. But I do like to move on them.

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16 - Hannah Tarr—Focusing on Process over Product in the age of Instagram by Vivian Liddell

Hannah Tarr on how Instagram has affected her process:

I’ve deleted the app. I’ve like told myself I’m not allowed to go on it. It just makes me sad. …

I’ve found that I see other people’s works sneaking into mine and I see mine sneaking into others that follow me too much lately. And I’m wanting to kind of be more secretive and under wraps at least until I have enough that I feel like I’m ready to show, or I have the opportunity to show a bunch of work. And then it’s unleashed and it’s gonna wow everyone and be awesome… 

But it’s weird. I think I look at things differently. I measure up myself differently and my own work differently. I think about the product instead of the process a lot more. Because I’m just seeing these images; I’m seeing so many images. ... And I’m like “Oh this is good” and “I like this painting”…  But I don’t think about what it is that gives me the subtle joys. Why I love painting is surprising myself and making little jokes in my head and having fun with kind of what turns up. And Instead when I’m like “Oh my painting looks like this” or “it needs to be this”— I get too focused on the end result. And I think that that’s a product of looking at too much right now, but not in person…

 

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13 - Karen Tauches—Transforming the Commercial into the Sacred by Vivian Liddell

Karen Tauches on our relationship to our environment:

We’re no longer land-based people. We are spiritual. Like, we are virtual-based, now. We’re not making our culture based on where we live and the specific environment. We have a fantasy of what the nice environments are and all we have to do is project that on to where we live. We make images—that’s where windows come in, we have screens—and it doesn’t really matter what the environment’s really like. And that’s why development in the future would be so great for us. Because go to the moon— there’s absolutely no environment there. You build a white box, and you have projectors, and you just project whatever landscape you would like to live in. And you can see, we’re already kind of doing that inside our homes.

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